Archive for ‘SEA live Spotlight’

May 19, 2016

John Grant Brings His Icelandic Intellect to the Emerald City

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During the Renaissance, art and intellect mingled as an equally provocative and exciting duo. Both were highly valued and experimented with during this era. From Michelangelo to Galileo, from Shakespeare to Copernicus, huge strides were made in human civilization within the span of a couple hundred years.

Fast forward to 2016, where facts are being ignored for “gut feelings” and most artists are struggling to pay rent. Sometimes, much to our lament, it seems that art and intellect have failed.

However, maybe we’re about to experience a second Renaissance. At least, that’s the little glimmer you’re left with after speaking with musician John Grant.

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November 25, 2014

SEA live Spotlight: Hypnotic Grooves from Elliot Moss Debut, Highspeeds

In our line of work hobby, we come across a proverbial {insert Thanksgiving word here} cornucopia of great emerging artists. Occasionally we come across such an exceptional talent that causes us to break from our standard week-of their Seattle show preview posts. For such burst-at-the-seams-if-we-don’t-share moments we’re kick-starting a brand new series on the blog called SEA live Spotlight. Up first, we introduce you to Elliot Moss.

He’s one of those rare combinations of singer, songwriter, producer and multi-instrumentalist, which seems like entirely too much talent for one person. Hailing from New York, he is already making a splash with his debut album, Highspeeds, and opening for the Cold War Kids on a national tour (which will be coming through Seattle in February). Much like Washed Out, Elliot recorded and mixed an excellent record largely on his own. Of course he did.

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Highspeeds features dark, chic grooves suitable for everything from a long nighttime drive, an afternoon of studying or a sophisticated dinner party. The album’s slow, slinky beats drive layers of swaying keyboard and synth melodies, topped with Elliot’s downbeat lyrics – a blend that flawlessly balances background ambiance and intriguing digital ditties.

Faraday Cage, one of the standout tracks on the album, perfectly encapsulates Elliot’s style. The song is eerie and hypnotic, with Elliot’s breathy voice acting as the spotlight that slowly fades in and out of the backdrop of lilting synth and jazzy percussion.

We also love the title track, Highspeeds. It features Elliot’s layered vocal tracks to highlight the deeply personal lyrics, some trance-inducing looping and a few outer space style flourishes. The song feels expansive yet personal, perfectly matching the song’s sentiment of letting go.

Really, you should check out the album for the full experience. It’s a great listen from beginning to end, and you’ll instantly want to hit replay once the album finishes.

Of course, if you enjoy what you hear, head over to Showbox to get tickets for his opening slot supporting Cold War Kids on Friday, February 20.

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